Diane Weyermann, Executive Who Championed ‘An Inconvenient Truth,’ Dies at 66

Oct 22, 2021
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Diane Weyermann, who oversaw the making of potent documentaries like “An Inconvenient Fact,” “Citizenfour” and “Meals Inc.,” and in so doing helped change the documentary world from an earnest and underfunded backwater of the film business right into a vibrant must-see class, died on Oct. 14 at a hospice facility in Manhattan. She was 66.

Her sister Andrea Weyermann stated the trigger was lung most cancers.

“Diane was one of the exceptional human beings I’ve ever recognized,” Al Gore, the previous vp and presidential candidate whose seemingly quixotic mission to coach the world about local weather change by way of a decades-long touring slide present grew to become an unlikely hit movie with an odd title, “An Inconvenient Fact,” stated in an interview. “She was enormously expert at her craft and crammed with empathy,” he added. “It’s not an exaggeration to say she actually did change the world.”

So did his film. “An Inconvenient Fact” earned an Oscar in 2007, and Mr. Gore received the Nobel Peace Prize that very same 12 months, sharing it with the Intergovernmental Panel on Local weather Change. The movie, which grew to become one of many highest-earning documentaries ever made, was the second documentary made by the activist movie firm Participant, the place Ms. Weyermann was a longtime government, and hardly anybody in Hollywood thought it was a good suggestion. It was a film a couple of slide present, in any case.

When the filmmakers screened it for a serious studio in hopes of getting distribution, a few of the executives fell asleep. “There was audible loud night breathing,” recalled Davis Guggenheim, the director, “and when it was over one among them stated, ‘Nobody goes to pay a babysitter to allow them to go to a theater and see this film, however we’ll provide help to make 10,000 CDs without cost which you can give to science academics.’”

Dejected, Mr. Guggenheim, Mr. Gore, Ms. Weyermann and others repaired to a steakhouse in Burbank, Calif., to brood, however Ms. Weyermann refused to be cowed.

“Simply wait until Sundance,” she stated.

“An Inconvenient Fact” obtained 4 standing ovations on the Sundance Movie Pageant, and Paramount purchased the distribution rights.

Participant had been began in 2004 by Jeff Skoll, a social entrepreneur and the primary president of eBay, with its personal mission: to make films about pressing social points. A former public curiosity lawyer, Ms. Weyermann was operating the documentary program on the Sundance Institute when Mr. Skoll employed her in 2005, although he was frightened that Robert Redford, a buddy and the founding father of the institute, could be irked. (He wasn’t, and blessed the transfer).

“From the beginning, Diane introduced data, relationships, context and business insights into our group,” Mr. Skoll stated in an electronic mail. “Participant was a small, burgeoning firm on the time, direct movie business experience was restricted, and we had little or no documentary expertise.”

Participant would go on to make over 100 movies, together with the options “Highlight,” “Contagion” and “Roma” and the documentaries “My Identify Is Pauli Murray” and “The Nice Invisible.”

“Diane constructed an unbelievable slate of movies which have made a distinction in every thing from nuclear weapons to schooling to the setting and a lot extra,” Mr. Skoll added. “She was the center and soul of Participant.”

It was Ms. Weyermann’s job to seek out, fund, kind and promote documentaries from all around the world, and he or she traveled continuously doing so.

In 2013, Laura Poitras, the director of “Citizenfour” — the Oscar-winning story of Edward Snowden, the Nationwide Safety Company contractor who uncovered the federal government’s widespread surveillance packages — was holed up in Berlin when Ms. Weyermann got here to see her.

“Diane knew I couldn’t journey to the U.S.,” Ms. Poitras stated, as a result of she was frightened that she may be detained or arrested; throughout the course of her reporting, Mr. Snowden had turn out to be a fugitive and a trigger célèbre. “She wished to ensure I used to be OK, and I wished her to see the cuts. I had a whole lot of hours of movie, and I instructed her proper off, ‘I’m not going to give you the chance present any documentation’” — movie studios sometimes require detailed written proposals — “and he or she instantly stated, ‘We’re going to do that and I’ve obtained your again.’”

“She liked being within the modifying room,” Ms. Poitras added. “She had a tremendous potential to see a movie when it was actually uncooked and be in tune with it and what the filmmaker wanted. You wished her notes; she all the time made the work higher.”

“A director’s whisperer” is how Mr. Guggenheim described her.

It wasn’t simply the large box-office films she supported, stated Ally Derks, the founding father of the Worldwide Documentary Movie Pageant Amsterdam. “It was the small, fragile movies she nurtured too. She was in India with Rahul Jain, whose film about air pollution in New Delhi simply screened at Cannes. She was in Siberia with Victor Kossakovsky” — the Russian filmmaker whose 2018 movie, “Aquarela,” has barely any dialogue or human beings and takes an immersive have a look at water, from a frozen Siberian lake to a waterfall in Venezuela to glaciers crumbling in Greenland.

In her New York Occasions overview, Jeannette Catsoulis referred to as “Aquarela” a “gorgeous, often numbing, sensory symphony,” and took word of the movie’s ending: a rainbow over the world’s tallest waterfall. “It feels,” she wrote, “somewhat bit like hope.”

Diane Hope Weyermann was born on Sept. 22, 1955, in St. Louis. Her father, Andrew, was a Lutheran minister; her mom, Wilma (Tietjen) Weyermann, was a homemaker and later labored for a glassware firm.

Diane studied public affairs on the George Washington College in Washington, graduating in 1977, and 4 years later earned a regulation diploma from the Saint Louis College College of Regulation. She labored as a authorized assist lawyer earlier than attending movie faculty at Columbia Faculty Chicago, graduating in 1992 with an M.F.A. in movie and video.

That very same 12 months, “Moscow Ladies — Echoes of Yaroslavna,” her quick documentary movie about seven Russian ladies, filmed by a Russian and Estonian crew, was screened at Ms. Derks’s pageant in Amsterdam. She additionally made a brief movie about her father’s palms.

Ms. Weyermann turned from making films herself to serving to others make them in 1996, when she grew to become director of the Open Society Institute’s Arts and Tradition Program, one of many billionaire investor George Soros’s philanthropies, now often known as the Open Society Basis. She began the Soros Documentary Fund, which supported worldwide documentaries that centered on social justice points. When she was employed by the Sundance Institute to arrange its documentary movie program in 2002, she introduced the Soros Fund along with her. There she arrange annual labs for documentary makers, the place they might work on their movies with others, creating the form of group that documentarians craved.

Along with her sister Andrea, Ms. Weyermann is survived by a brother, James. One other sister, Debra Weyermann, an investigative journalist, died in 2013.

When Ms. Weyermann grew to become co-chair, with the screenwriter and producer Larry Karaszewski, of the foreign-language movie class for the Academy Awards in 2018, they promptly modified the title of the class to “worldwide characteristic movie,” mentioning that the phrase “overseas” was not precisely inclusive. “Diane had a approach of slicing by way of on a regular basis nonsense,” Mr. Karaszewski stated.

In a 2008 interview, Ms. Weyermann was requested if she thought it was asking an excessive amount of for a movie to make a change in society.

“When movies are made solely for that function they fall like a lead balloon,” she replied. “What I really like about movie is it’s a inventive medium. It’s not simply ‘Let’s deal with a problem and educate,’ however ‘Lets inform a narrative, let’s inform it superbly, let’s inform it poetically. Let’s inform it in a approach that isn’t so apparent.’”

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