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An brazenly homosexual Scottish artist who celebrated queer lives in a brief movie shot on an iPhone gained Britain’s prestigious Turner Prize Tuesday.
This yr’s 4 finalists for one of many world’s most coveted visible arts awards featured works filled with political punch.
Scotland’s Charlotte Prodger got here out on high at a glitzy reception at London’s Tate Museum for a 33-minute visible compilation referred to as BRIDGIT.
The jury stated Prodger’s work “meanders by means of disparate associations starting from JD Sports activities and standing stones to Nineteen Seventies lesbian separatism and Jimi Hendrix’s sound recordist.
“Her work explores points surrounding queer id, panorama, language know-how and time.”
The 44-year-old Glasgow-based artist – wearing a easy white T-shirt for the event — stated she felt “fairly overwhelmed”.
“The tales that I’m telling, though they’re mine and are private, are tales that lots of people – nicely, I assume queer folks – have skilled,” she informed the BBC after selecting up her GBP 25,000 ($32,000, EUR 28,000) prize.
Prodger had been working in relative anonymity for 20 years earlier than making her breakthrough by being picked to signify Scotland at this yr’s Venice Biennale arts exhibition.
“I assume my work is kind of private, and it is turning into more and more private really as time goes by, particularly since I began making single-channel movies in the dead of night,” she informed the BBC.
“I assume that turned extra private. Perhaps that resonates with folks.”
Prodger beat out three different works formed by an more and more turbulent world political setting.
London-based Forensic Structure used know-how similar to 3D modelling to doc the deaths of two folks in an Israeli police raid on a Bedouin village within the Negev Desert final yr.
Forensic Structure had beforehand been tapped by Amnesty Worldwide to recreate in harrowing element the brutal remedy of inmates in Syria’s Saidnaya navy jail.
New Zealander Luke Willis Thompson made a black-and-white silent movie portrait of a girl who live-streamed the fast aftermath of her African American boyfriend’s dying after being pulled over by the police in america.
And Britain’s Naeem Mohaiemen’s chosen movies and installations explored the legacies of colonialism after World Conflict II.
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